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Editor’s Note: News, Newspapers, and the Meaning of Revise and Resubmit

I have said in several venues that I never really know which articles will generate the most readers, so I feel that it is important for authors to not to lose their unique voice.

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Happy New Year! It is the time of year when I pay tribute to the early American tradition of the newspaper carrier’s address (as beautifully detailed in this Leon Jackson article) that salutes the customer, summarizes the news of the year, and then finishes with a plea for money. So, thank you loyal and occasional readers for your continued support of Commonplace and for your feedback about our new articles and our nearly quarter century back catalog.

In my note two years ago, I wrestled with the way the Commonplace had attempted to engage its audience over the years and what decisions we should be making given the changing social media landscape. Aside from our standby monthly newsletter (signup here if you have not already), we had originally posted on Facebook and then had been posting on Twitter, but became increasingly uneasy about both of those platforms. Should we stop posting? Move sites? Post in lots of places? It is fair to say that we have more clarity now about what venues we are going to use moving forward and more importantly, what venues we will not be using. As I mentioned last year, I personally moved from Twitter to Bluesky in 2023 (follow me for lots of posts of 19th century bank notes and shinplasters) and many people I follow online stopped posting on Twitter this past year, especially since the election. This critical mass of moving accounts has meant that I have shifted my social media time entirely to Bluesky. As of December 2024, Commonplace is now on Bluesky (@commonplacejrnl.bsky.social) and will be posting there more frequently in the year ahead. Our articles also now have a share button for Bluesky (the little butterfly emoji) on the top right of the page, at the front of the share list. This may not be the end of the story; I will do my best to keep you informed about our plans as we update them.

Figure 1: The first share button on each Commonplace article shows Bluesky’s butterfly emoji.

The next important announcement is that in the past month, Jordan Taylor has moved on from his role as the Commonplace production editor. Since we relaunched the site in 2021 with new articles, a new format, and new URL, Jordan has been instrumental in shaping the look and feel of the work that we have published. I want to thank him for his amazing work and wish him the best in his new position as the Manager of Digital Content for Colonial Williamsburg. I also have the pleasure to welcome Katy Telling to Commonplace as our new production editor. Katy is a PhD candidate in History at William & Mary and also manages social media for the Omohundro Institute’s Octo as well as Women Also Know History.

It is now time for me to move to my plea for your support and turn to submissions. I want to follow up on my final point from last year’s note about submissions to Commonplace, but before I that, I would like to pause and have you read a few seemingly unrelated excerpted paragraphs from an unpublished piece titled “‘Bachelors, Look Out!’: Working Men’s Masculinity and Light-Reading Articles in 1830s New York City Pro-labor Newspapers” that I wrote in 2002 when I was in graduate school. Feel free to skip down if you want, but I think it will make sense on the other side.

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Figure 2: Communication through newspapers was vital to the early labor movement. In this political cartoon, battling Loco Foco and Whig newsies stand in for the political parties. Henry R. Robinson, A Gone Case. A Scene in Wall Street (New York: Henry Robinson, 1836). Retrieved from the Library of Congress.

The labor agitation guidelines set down at the inaugural 1834 National Trades’ Union Convention included a mandate that union members should “refuse honor and office to every man who does not promote by a good example and deeds of benevolence the welfare of his fellow beings.” Published in the September 6, 1834, issue of the official National Trades’ Union newspaper, such principles informed the audience (union members and potential members) of acceptable labor organizing behavior and provided some of the contours of an ideal worker identity. Within that same issue, the newspaper’s editors used the limited available space to publish a series of riddles under the title, “A Good Wife.” Noting what a “good wife ought to be like,” these riddles included that she should be, “like a town clock, keep time and regularity,” but should also, “not be like a town clock; speak so loud that all the town can hear.” While these riddles offer scholars an opportunity to probe contemporary humor for ideals of marital and gender relations, their inclusion in one of the nation’s first pro-labor newspapers also raises the question of the relationship between articles like “A Good Wife” that were seemingly separate from political economy content and more recognizably labor-related articles such as the proceedings of the National Trades’ Union Convention.

Reading papers like the National Trades’ Union, The Man, The Union, The Democrat, and the Working Man’s Advocate, New York City’s workers learned about the bank war, monopolies, Loco-Foco politics, and labor unrest. The editors of these newspapers: Ely Moore, George Henry Evans, John Commerford, and John Windt, read like a who’s who of 1830s New York labor activism, and eager readers clamored to hear their opinions. Alongside these articles however, each edition also contained what The Man referred to as “light-reading articles” such as poetry, marriage announcements, humorous aphorisms warning about abhorrent behavior, advertisements, and other news of the day. More than just filler clipped from out-of-town papers to pad the publication, these articles often appeared on the front page and usually occupied more than two full pages of a four-page newspaper. Journeymen readers expected anti-bank discussions to appear side-by-side with anecdotes about how artisans’ wives should act and did not see them as mutually exclusive. This analysis of pro-labor newspapers considers these articles and their importance to readers as a crucial aspect of the cultural lives of Jacksonian working men . . .

Like many light-reading articles, discussions of marriage often used humor to make a point. A report in the National Trades’ Union on July 25, 1835, from frontier Chicago noted that women were in demand and “some have thirty suitors at a time, and duels are not infrequent to obtain the prize of beauty: even old maids find a ready market, after a few shots.” Editors noted that they ran the article “by way of circulating the most important information; and hope those interested will profit by it.” This humor could also be used as a weapon of social criticism when the institution of marriage was not respected. The National Trades’ Union ran another story on May 2, 1835, entitled, “New way to get a husband,” that described a woman who tricked a lawyer into marriage. The older woman feigned illness and sent for the attorney to draw up her will. She exaggerated the sum of her estate and when she “thought proper to be again restored to health,” was visited by the lawyer who soon popped the question, only to later find out about her tiny estate. The lawyer, never a popular character in pro-labor papers, had been beaten at his own game in his attempt to marry for money . . .  

Lawsuits for “Breach of Promise” were not just simple reminders that men should respect the institution of marriage; they were specifically punitive matters, reflecting the economic aspect of becoming a husband. The loss of a potential husband could mean economic devastation for a single woman and could not be forgiven by simple emotional excuses. At a time when average wages for skilled working men in New York City ranged from $1.00 to $2.00 a day, reported fines were often exorbitant and usually reflected  the middle class background of the men involved in the cases. However, this type of light-reading article prescribed a certain set of guidelines for any man’s engagement. Their inclusion in a pro-labor newspaper localized the message for artisans and infused it into part of a masculine worker identity. One example of this genre from The Man on April 27, 1834, described a jury that “returned a verdict of 5,000 dollars for the plaintiff, the whole amount claimed in the declaration. Have a care, young men!” The heavy fines reflected that marriage as an economic contract under laws of coverture needed to be protected accordingly; artisan readers could identify with the message of masculine obligation even if the judgements clearly fell outside their financial purview . . .

Bachelors were also popular topics of conversation in 1830s New York City, from pro-labor newspapers to middle-class novels and health reports. This was not a new fear. Newspapers identified bachelors as dangerous and destabilizing members of New York society going back to the eighteenth century. It was an exaggeration that bachelors ran rampant and that marriage was under attack by rogues, but the threat certainly felt real when highlighted repeatedly in the press. Low marriage rates for working men in the city and the notion that certain men did not even want to participate in the institution flew in the face of the papers’ pro-marriage message. In The Man’s March 7, 1834, daily “Marriages” column, a notice even ran under a blank space, declaring, “If people won’t marry, we can’t help it.” . . .

Figure 3: “Marriages,” The Man, March 7, 1834.

Even if they were not set up as examples to follow on the issue of love, pro-labor newspapers could recognize bachelors as an important group of readers and even treated them with compassion on occasion. One article in the May 16, 1835, issue of the National Trades’ Union warned readers of an attempt in Maine to pass legislation that would “tax ‘old Bachelors for the benefit of Maiden Ladies of a certain age.’” The article, entitled “Bachelors, Look Out!” declared that “an old bachelor would experience affliction enough, in all conscience, without being compelled to pay for it.” The appeal ended with the notion that if the bill passed, “the poor bachelor will be goaded on to matrimony by the relentless tax man. What think, ye, bachelors?” Rather than lechers, these old bachelors were victims of a scheme to take their money. It was a double blow because the taxes were for the benefit of women that these same men had either been unable or unwilling to marry. Outside forces sometimes excused bachelors for the failure to marry entirely. In a short note on May 10, 1834, The Man reported that the “Portland Courier says that the young ladies of that town have formed an Anti-Matrimonial Society.” While this seemingly relieved bachelors of their responsibility to marry in one case, the institution of marriage faced a number of other difficulties in the mid-1830s . . .

Figure 4: This political cartoon satirized the specie circular, a hard money Jacksonian policy, while showing its effects on a working man (pro-labor paper in hand) and his family. Henry Dacre, Specie Claws (New York: Henry Robinson, 1837 or 1838?). Retrieved from the Library of Congress.

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Ok, we are back. I thank those of you who read through something I wrote in graduate school. It was never published, but it was sent in to a journal, and that brings me to the issue of submissions. With a few exceptions, most of what we publish at Commonplace comes to the journal as an unsolicited submission, rather than a commissioned article. We depend on you for what we produce. So whenever possible, I like to provide a look behind the curtain of how we do things here at Commonplace. In the context of asking for you to send in your work for consideration, I want to discuss the term “revise and resubmit” and how it got me thinking of something that I wrote more than 20 years ago. I wrote the paragraphs above as part of a piece that I submitted to a journal and after I received back a response to revise and resubmit, never resubmitted. I am sure that I got very busy with other things, but it was clear that the readers (both reader one and the dreaded reader two) had not accepted my main argument that there was something important to learn in these light-reading articles that might inform us about how white working men in the New York organized labor movement constructed their identity as family members and workers. Fair enough. The argument may not have been convincing or I had not done enough analysis of the material to convince them. The reason why I never went back to my “Bachelors, Look Out!” piece was that the suggestions sent to me in asking me to revise and resubmit the submission wanted a very different article than I was proposing. It may have worked for the journal had I have followed through, but it was not the discussion that I wanted to have. The story I wanted to tell was not what they wanted to publish. Again, fair enough.

Why am I revisiting this now as part of a call for submissions to Commonplace? Since we are asking you to put your work out there for us to review and decide whether or not it should be published, I want to let you know that whenever possible I avoid asking authors to revise and resubmit their work. Of course, every submission that we receive is different and there have been occasions when we have asked an author for a modified version of a resubmission, but those have been quite rare. I have reviewed submissions for numerous publications and asking for a revise and resubmit is very common and at some publications almost seems to be the default. If you ask for the revisions up front, you can be more assured that what comes back fits what you are looking for in the first place. We have not tended to approach submissions to Commonplace this way.

I have said in several venues that I never really know which articles will generate the most readers, so I feel that it is important for authors to not to lose their unique voice. What I look for in a submission is whether I think it can potentially work as a piece that will interest at least a portion of our diverse readership. If it can, I am usually open to working with the author to respond to the editorial board members’ comments and to get it ready for publication in a way that works for us while staying true to the author’s vision. If it does not fit, I try to be honest about that up front and suggest that they find a better venue. I hope this helps explain the process a bit better for potential authors and encourages some of you to consider submitting your work to Commonplace. If you have any questions about doing so or want to pitch me a piece, please reach out at commonplacejournal@gmail.com.

 

Happy New Year!

 

This piece originally appeared in January 2025.


Joshua R. Greenberg (@joshrgreenberg.bsky.social) is the editor of Commonplace: The Journal of Early American Life. He is the author of Bank Notes and Shinplasters: The Rage for Paper Money in the Early Republic (2020) and Advocating the Man: Masculinity, Organized Labor, and the Household in New York, 1800-1840 (2008).

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